Ask Marilynn

Marilynn has included some of her most commonly asked questions and answers here. If you don’t see your specific question addresses, feel free to send her an email.

Q: upstroke (again) & tremolo

Q: I have been playing the mandolin for about a month now and am confused by a tiny, yet seemingly huge issue.  Specifically, the upstroke.  I’ve purchased your book (an awesome work by the way) and in it you say to just play the lower of the two strings on any given pair when doing an upstroke.  In addition, I recently read your tremolo technique article on your website and there was no mention there of whether or not to … Read More »

Posted August 17th, 2010 | Leave a comment

Q: Lyon & Healey or replica?

Q: I have a couple of questions about your mandolins. I’ve noticed one of the mandolin you play is a Lyon and Healy-style instrument, is this a replica or an original? If it’s a replica, who was the luthier? Would you recommend this instrument to a “classical” mandolinist? I’ve also seen pictures of an a-style mandolin that you use, who is the maker of that instrument? I’ve greatly enjoyed reading your articles, especially the one on the Beethoven’s works, it … Read More »

Posted August 17th, 2010 | Leave a comment

Q: One string on the upstroke?

Q: I’m just starting out with the mandolin and bought your book on recommendation from a friend. I must say that I’m really looking forward to working though the book. I’m interested in medieval, classical and english folk music and am glad to see a resource that is a bit more grounded in musicianship than the normal ‘here’s three chords and away you go’ approach. One question I have – is it generally true that in the downstroke you always … Read More »

Posted August 17th, 2010 | Leave a comment

Q: Pettine picks & self-teaching

Q: I am 49 years of age and just purchased a mandolin.  I have played the piano and have found the mandolin, or it found me, after much consideration for a new adventure and furthering my range of music. When I purchased my mandolin I purchased your new instruction book “The Complete Mandolinist”.  I have tried to find the Pettine picks but without success. I have tried locally and have searched the internet. Will you please help me find them … Read More »

Posted August 17th, 2010 | Leave a comment

Q: What speed should I tremolo?

Q: I am a student of your mandolin method (after 13 months of studying in earnest, I am on page 78) and I have been working since the first Branzoli tremolo exercise on my tremolo. Could you please tell me how fast one should reasonably be able to tremolo?  Say in terms of four strokes for each beat of the metronome (so 120 b/m would be 480 tremolo strokes), how many beats per minute would be reasonable? It is important … Read More »

Posted July 27th, 2010 | Leave a comment
    • “Smudging the lines between folk and classical is an intrepid endeavor… Mair’s a superb mandolin player who has brought the instrument to unexpected places…” – Jim Macnie, The Providence Phoenix (USA)

    • “Marilynn Mair has always had the keen ability to balance classical mandolin traditions and repertoire, while constantly breaking new musical ground…a superb and versatile mandolinist and composer.” – – Butch Baldassari, Mandolin Magazine (USA)

    • “Mair travels by mandolin to Brazil and brilliance… her commitment to the music shines through.” – Rick Massimo, The Providence Journal

    • “Stepping back to the 18th-century masterworks gave her the opportunity to highlight her technique with a fresh light… her playing is thoughtful, vibrant and a delight to listen to.” — Terence Pender, Mandolin Quarterly (USA)

    • “She’s a fabulous player with a wonderfully clear and lyrical sound.” – The Ottawa Citizen (Canada)

    • “Mair displays an exceptionally gifted approach to this music, using her formidable mandolin technique with grace and sensitivity…It’s the next best thing to a trip to Rio.” – David McCarty, Mandolin Magazine (USA)

    • “Marilynn Mair performs Brazilian mandolin music… she plays the mandolin as an instrument for all occasions.” – Vaughn Watson, The Providence Journal (USA)

    • Bring a talented ensemble of gifted musicians together playing some of the great concertos and chamber music pieces of the 1700s, present the extraordinary classical mandolinist Marilynn Mair front and center, and you have a rare combination of the right musicians performing the right music at the right time. – David McCarty, Mandolin Magazine (USA)

    • “Marilynn Mair é uma bandolinista americana de formação erudita” — Paulo Eduardo Neves, Agenda do Samba Choro (Brasil)

    • “Mair is unstoppable…capable of evoking any landscape, past or present, you’d care to conjure.” – Mike Caito, Providence Phoenix (USA)