Q: Lyon & Healey or replica?

Q: I have a couple of questions about your mandolins. I’ve noticed one of the mandolin you play is a Lyon and Healy-style instrument, is this a replica or an original? If it’s a replica, who was the luthier? Would you recommend this instrument to a “classical” mandolinist? I’ve also seen pictures of an a-style mandolin that you use, who is the maker of that instrument? I’ve greatly enjoyed reading your articles, especially the one on the Beethoven’s works, it was interesting to discover those. Thank you very much for your time,
-MC

A: I do play an original Lyon & Healey, and love its dark rich tone– perfect for tremolo and classical music, especially romantic-era pieces. I also play an instrument made for me by Doug Woodley, a brilliant luthier who, unfortunately, is no longer making instruments. This instrument is brighter and crisper, great for Baroque and modern music. I highly recommend the Lyon & Healeys from the 1920s & 30s, if you can find them. But there are also many great luthiers today who are producing excellent instruments for classical playing. Play some instruments and see what sound you personally like.
-mm

Posted August 17th, 2010. Bookmark the permalink. Trackbacks are closed, but you can post a comment.

Post a Comment

You must be logged in to post a comment.

    • “Smudging the lines between folk and classical is an intrepid endeavor… Mair’s a superb mandolin player who has brought the instrument to unexpected places…” – Jim Macnie, The Providence Phoenix (USA)

    • “Marilynn Mair has always had the keen ability to balance classical mandolin traditions and repertoire, while constantly breaking new musical ground…a superb and versatile mandolinist and composer.” – – Butch Baldassari, Mandolin Magazine (USA)

    • “Mair travels by mandolin to Brazil and brilliance… her commitment to the music shines through.” – Rick Massimo, The Providence Journal

    • “Stepping back to the 18th-century masterworks gave her the opportunity to highlight her technique with a fresh light… her playing is thoughtful, vibrant and a delight to listen to.” — Terence Pender, Mandolin Quarterly (USA)

    • “She’s a fabulous player with a wonderfully clear and lyrical sound.” – The Ottawa Citizen (Canada)

    • “Mair displays an exceptionally gifted approach to this music, using her formidable mandolin technique with grace and sensitivity…It’s the next best thing to a trip to Rio.” – David McCarty, Mandolin Magazine (USA)

    • “Marilynn Mair performs Brazilian mandolin music… she plays the mandolin as an instrument for all occasions.” – Vaughn Watson, The Providence Journal (USA)

    • Bring a talented ensemble of gifted musicians together playing some of the great concertos and chamber music pieces of the 1700s, present the extraordinary classical mandolinist Marilynn Mair front and center, and you have a rare combination of the right musicians performing the right music at the right time. – David McCarty, Mandolin Magazine (USA)

    • “Marilynn Mair é uma bandolinista americana de formação erudita” — Paulo Eduardo Neves, Agenda do Samba Choro (Brasil)

    • “Mair is unstoppable…capable of evoking any landscape, past or present, you’d care to conjure.” – Mike Caito, Providence Phoenix (USA)